I’m (once again) doing Miss Sugar’s New Year New You Experiment in Radical Magical Transformation because I find it’s a really good way to kick my own ass into getting things done. It’s a good mix of practical, magical, and thought-based exercises to help accomplish specific and significant change in your own life. If it’s relevant to your interests, give it a try!
Instructions: So now that you’ve done the small magics, I think it’s time to do a big ritual to further one or more of your goals.
As all of you know by now, I’m not a Big Rituals kind of gal. I put songs on repeat to help me enter something adjacent to a trance, maybe once or twice a year, and do little rituals (offerings roughly once a week, greeting my gods at the crossroads and as I see them, the first slice from a fresh batch of bread, stuff like that) fairly frequently, but Big Magical Doings that require a lot of prep and planning… are not typically My Bag.
I just turned forty.
I love my weirdo freelancing art life, and I want to keep it.
But I am so, SO tired (like physically and emotionally worn out, but also “sick of this crap” tired) of the precarity that comes with it.
I marked my birthday with a week worth of fun and lovely events, which wrapped up just before the recent full moon in Taurus, and I wanted to harness that “manifesting abundance and pleasure and security” stuff that comes with the Taurus full moon and its major-major link with The Empress.
So I spent a day working out how to turn my Greatest Hits Wish List into a series of little doodles – not exactly sigils (except in the case of making a little glyph to represent my immediate polycule), but stuff along those lines. I planned out what I’d need, in terms of materials. I sorted out offerings and harvested the herbs from my (snowed under, so that was a thing) garden. I took a calculated risk in collecting one of the other elements of the altar and the magic to be made on it, and made sure to leave offerings and… I guess I could call them connections(?) in return. I took the time (and energy, and resources, and skills) to make bread from scratch, and on Moonday, which handily actually WAS the night of the full moon (and which I also, thankfully, had off AND which was overcast enough for it to get dark enough to light candles earlier in the day), I turned my coffee table into an altar space and got to work.
So. You know the thing “To Know, To Will, To Dare, To Keep Silent”?
I don’t actually know how many of the specifics of this I should be yacking about in front of the whole internet. So, in the interests of not screwing it up or pissing Anybody off, I’m going to be a bit vague on things.
BUT. The general gist is this:
First thing, as you can see from the photo, above, I was doing candle magic, just in a more intense way than I often do. Even when I go big, I’m still pretty basic in terms of what I do.
I wanted to have stuff that grew in my yard – my space, the place I have some kind of a friendly (uh, I’d like to think) relationship with – sitting in each of the quarters. I wanted the elements represented by things that I wanted and things that connected me to success and security. There’s a brick from the house my mom grew up in (among other things), in the North. The South is all sex toys and kinky equipment. The East is the various hard-copy books and chaps that I’ve been published in (why, yes, ALL of them). The West is the tarot cards I drew for my birthday, all those hope-and-heart cards, plus a piece of fancy stemware. The Centre was raised up on a fancy cake tray (40th birthday gift, also hospitality and fanciness), and has the Empress card that I used to kick off my whole Empress Project in the first place. The votive candles I used had been lit at my birthday party, and I treated them like Birthday Candles (as in “make a wish”).
I sang (just a little – the chorus of a song that I treated as a prayer), I gave offerings that were a little fancier than I usually do, and that included a little bit of pain, and a moderate amount of blood, on my part. But the big difference in how I did this whole thing is that, when I cast the circle, I got a little bit extra. I’m not usually one to call the guardians of the watchtowers of absolutely anything. But this time I reached out to the People of the four directions, and called the Above and the Below to run the world pillar through my spine.
And they showed up.
I hadn’t been expecting that.
Don’t go getting me wrong here, I’m very glad they did. But it was an optional thing for them. I’m… touched? That the Spirits of Place, the People who orient us in space and in… action? Is that a good way to put it? That they came and were willing to witness, and maybe even help.
I did The Thing.
I think my giant bag of soil is probably thawed out by now (it having had a week to hang out in the warm), so I can now take the last of the accoutrements off the altar space and do the last bit of the ceremony, at which point I can have my coffee table back.
In prepping for this, my wife asked me if it was going to come at a cost – because everything has a cost. She works with a goddess who takes payment in blood and pain (there are so many of these) and she was worried about me getting hurt, basically. So we ended up having a discussion about different types of relationships.
I talked about how I’ve been involved with my pantheon actively for a couple of decades, that I check in with them and say Hello often, and that I generally don’t show up with my hand out. I said “There’s wine on the altar right now” – wine that had been offered the previous Friday – and that while I didn’t give my Gods and Ancestors wine and cookies and bread and occasional whisky and other tasty things in order to, you know, manipulate them into feeling like they have to help me, the fact that I’ve been doing this for a long time – much as with more corporeal people – will get you a certain amount of trust and good will. If you show up for your friends, and want to hang out just for the sake of hanging out, they are more likely to show up for you when you need help with a thing. (This is, incidentally, one of the reasons I tend not to contract out and do transactional work with deities outside of my pantheon. I don’t know, and won’t necessarily be able to accurately discern, what kind of payment they might want. And I’m hesitant to offer any kind of tradesies when I don’t know what I’m getting myself into).
I did my ritual, my ceremony, made my offerings, around the themes of the Empress.
May it be, may it be, may it be. ❤
Meliad the Birch Maiden.
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