On the off chance that you haven’t guessed by the time, I ‘m writing about embodiment for the Pagan Experience Challenge today. I’ve been a singer (14 years of lessons plus, admittedly, 14 further years of, like, singing in the shower or otherwise letting myself get rusty) since I was 7 years old. Which basically means that I was actively being taught how to Be In My Body well before puberty hit and all the social pressures to do exactly the opposite of that started cropping up.
I think that’s relevant.
I mean, yes, staying in my body in sexual situations where I’m not the one “doing the doing” is not the easiest thing in the world, and I don’t think that’s a separate issue, but I do think that learning embodiment, learning to pay attention really closely to what your muscles and feet and lungs and all the rest of you are doing at any given time has made it easier for me to be, well, naked, for a start, but there’s more to it than that.
A lot of my energy-work – whether that’s stuff like Grounding or stuff like Sex-Magic/Laying-On-of-Hands or stuff like charging up a honey-pot – is centred around the bodily stuff I learned, ages ago, for How To Sing Really Well. As it happens, it’s also really centred around lighting up those big, straight-line, chakra points on your body – but I didn’t realize that until someone who could See that stuff told me as much when I showed her what prepping to sing looked like.
It’s… Art is magical. It’s an act of both creation and transformation, just because of what it is. But art as magical action can be used to do that whole “creating change at will” business as well. I was at a workshop on ritual, last October, and I said “I’m a writer and a witch, and when I write things down I make them happen”. Which isn’t true most of the time, but it’s proven on multiple occasions to push those odds towards What I (think I) Want, so I’m going with it. Likewise, when I sing, all those energetic chanels open up and I can Do Stuff – stuff kind of along the lines of reiki, I think? – that I can’t do, or can’t do as easily, when I’m quiet. Dancing, too, opens me up. I can be a fountain on the dancefloor. My wife says that I glow when I do that, and I’m inclined to take her literally as she’s one of those folks who can See that stuff, so.
Embodiment, for me at least, is the gateway to making energetic changes in the world. So there you go. 🙂
Meliad the Birch Maiden.
 For a given value of “grounding” – I’ve got my feet in the river pretty much all the time. I’m what sometimes gets called a “cement head”. I can bring people back to earth, and/or their bodies, when they get lost. It’s part of what I’m for. How cool is that? 🙂
Search By Topicall about me ancestors angling animism astrology barter books bread candles cheese community correspondences cosmology and axiology crafting crafting/Crafting divination divine intervention DIY dreams Eat From The Larder Challenge economics of food embodiment Empress Project energy work ethics of food faith fermentation fermenting fibre arts food and culture gardening glamour(y) gleaning goblin fruit goddesses hearth hunting jewelry kitchen witch kitchen witchcraft knitting links living religion local food Lunar Cycles magic meet the house spirits New Year New You Pagan Blog Project Pagan Experience 2015 paganism poetry preserves progress reports Queen of Cups Project recipes ritual sacred sexuality seasonal secular holidays shadow soap spells state of the garden study subsistence tarot Trance-Portation trancework urban farming urban foraging wheel of the year wild food wishes Year of the Pig
New Year New You
The Pagan Bloggers’ Network